When a movie is sold as being the next incredible cinematic experience that will change the way we watch movies, expectations are huge. Audiences may scoff. It could all backfire. But Alfonso Cuaron's 'Gravity' lived up to the hype and audiences responded in kind, giving it the biggest opening ever for a non-sequel October release.
There's nothing like a family-friendly animated movie to help shake off the September doldrums and 'Cloudy With a Chance of Meatballs 2' performed as expected. Although Sony's big release effortlessly took the number one spot, this weekend had a few other bright spots, namely a handful of independent films doing quite well in more limited release.
September may traditionally be a wasteland of half-baked films unfit to open in a proper month, but the lack of competition can actually be a good thing. Could 'Prisoners,' a film made specifically for an adult audience, have opened as well as it did if it was released in a busier month? Probably not.
Dangerous car chases through heavily populated urban environments has always been a cornerstone of the wonderfully ludicrous 'Fast and Furious' series and the latest film is certainly not going to be an exception. Filming is currently underway on 'Fast and Furious 7' and the production is looking for some fans to fill out some key scenes.
James Wan has done it again. For the second time this year, a horror film that he's directed has opened to over $40 million, securing his position as the reigning king of mainstream horror cinema. He may be taking a break from the genre to direct 'Fast and Furious 7,' but after the jaw-dropping success of 'The Conjuring' and now 'Insidious Chapter 2,' you just know he'll be back. No one is bringing the audiences in quite like Wan.
Oh, and there were some other movies that made some money, too.
The last time director Roland Emmerich talked about 'Independence Day 2,' original franchise star Will Smith was not going to be involved. At all. He was "too expensive," a "marquee name" who would be "too much." But a few months (and some time to think about the bomb that was 'After Earth') can make all the difference in the world -- it looks like Smith may end up joining the highly anticipated sequel after all.
Despite a bunch of new releases with all kinds of wide and varied appeal, this weekend's box office top 10 looks suspiciously like last week's. Apparently, none of the newcomers could match Lee Daniels' 'The Butler,' which effortlessly claimed the top spot once more.
There's something thematically appropriate about a movie telling the story of a butler who quietly influenced the United States taking the number one spot at the box office over its flashy, bigger rivals. Lee Daniels' 'The Butler' took multiplexes by storm this weekend, taking down last week's competition as well as a handful of seemingly strong newcomers.
In a weekend with four new major releases but no definitive frontrunners, the Matt Damon sci-fi action flick 'Elysium' snagged the top spot over some seemingly powerful competition. Director Neill Blomkamp's film continues this summer's trend of R-rated fare opening big ('The Purge,' 'The Conjuring,' '2 Guns') and proves that there's plenty of box office success to be had in the typically slow final weeks of the season.
Ah, the continuing appeal of the one and only Denzel Washington. How much do people love this guy? They love him so much that they'll transform just about any movie he appears in into a respectable hit, even if that movie is a poorly marketed (but well-reviewed) action movie based on a comic book that no one read. We shouldn't be surprised that '2 Guns' shot to the top of the box office, but we are a little. Oh, Denzel Washington, you always catch us off guard.
There was a lot of buzz surrounding James Wan's 'The Conjuring' going into this weekend. "Scariest movie of the year." "Best horror movie in a long time." And so on. But it paid off. 'The Conjuring' not only won the box office, it won the box office in a way that R-rated horror movies often don't. Between this and 'The Purge,' R-rated horror is officially back in a big way.
Despite all of the controversy surrounding author Orson Scott Card's political beliefs, the upcoming adaptation of his celebrated novel 'Ender's Game' continues to truck onward. First and foremost, the film is making a major appearance at Comic-Con 2013, where it will probably preach to the choir of already-sold geeks. Can it appeal to normal people? Will a new series of character posters featuring actors like Harrison Ford convince people that this is a movie for them?
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